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Bear's Loose Tooth by Karma Wilson

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Deals and Shenanigans. Ring Smart Home Security Systems. Indeed, an average American is ten times more likely to die from a dog attack than from a bear attack. Of course, these numbers are slanted, since, on any given day, there are thousands of times more encounters between humans and dogs, humans and farm animals, and humans and these insects, respectively, than human-bear encounters. However, media representations of bear attacks and attacks by any large predator, more generally are just as unbalanced.

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The same approach is at work in the two Animal Planet documentaries. Documentaries create the illusion of authenticity, but they are bound by institutional and cultural contexts. Since the interviewer is invisible, these interviews create the illusion as if the interviewees were speaking directly to the audience. These are testimonies by people who have made experiences the audience cannot quite understand; testimonies which produce authenticity, as the bear attacks become anchored in material reality.

Clearly, this bear is a monster hungry for human meat.

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The camera is constantly shaking, trying to visually capture the chaos and the brutality of the attack in question. The bear repeatedly opens his mouth and recurrently growls, while human screams are practically omnipresent. Crucially, while the first-person perspective at first might suggest identification with the bear whose body viewers are invited to inhabit, the exact opposite is the case. The human viewers, presumably sitting in front of their TV sets in the safety of their homes, look at the television representations of bears looking at prey, thereby creating the illusion of mastering the situation.

Tellingly, the photographs display horrifying wounds, which seek to engage viewers affectively by drawing their attention to their own organic existences.

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No scholar seems as competent to discuss the encounter with a large predator as early feminist ecocritic Val Plumwood. Even though Plumwood had commented on the implications of anthropocentrism for more than a decade when the crocodile attacked her, her thoughts were deeply entrenched in the very discourses she had critiqued. If the bear were to decide to move toward you, your fragile human body would not stand much of a chance, and the corporeal encounter would also come down to a binary—live or die. Drawing on horror aesthetics, these documentaries affect viewers; they make their bodies flinch and respond in other corporeal ways in an attempt to reproduce the monstrous force of these animals through the televisual encounter with them.

This dimension is intricately interrelated with the media. Our understanding of and for an actual encounter with a wild animal is lost. The question is, of course, whether only a nearly fatal encounter with a predator can allow us to grasp the entangled nature of life on this planet. Aaltola, Elisa. Acampora, Ralph R. Pittsburgh: U of Pittsburgh P, Agamben, Giorgio.

The Open: Man and Animal. Kevin Attell. Stanford: Stanford UP, Attenborough, David. Barthes, Roland.

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Camera Lucida: Reflections on Photography. Richard Howard. Berger, John. London: Penguin, Wildlife Films.

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Philadelphia: U of Pennsylvania P, Brownlow, Alec. Chris Philo and Chris Wilbert. London: Routledge, Chris, Cynthia. Watching Wildlife. Minneapolis: U of Minnesota P, Cohen, Jeffrey Jerome. Jeffrey Jerome Cohen. DeMello, Margo.

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New York: Columbia UP, Dika, Vera. Forrester, Jared A. Holstege, and Joseph D. Foucault, Michel. Alan M. New York: Routledge, Alan Sheridan. New York: Vintage, Freud, Sigmund. London: Vintage, Harris, Amber. Herrero, Stephen. Bear Attacks: Their Causes and Avoidance. Guilford, CT: Lyons Press, Maneaters: Bears. Discovery, Ingold, Tim. Tim Ingold. Steven Spielberg. Universal Pictures, Kearney, Richard.

Strangers, Gods and Monsters: Interpreting Otherness. Lakoff, George, and Mark Johnson. Metaphors We Live By. Chicago: U of Chicago P, Latour, Bruno. We Have Never Been Modern. Catherine Porter. Lefebvre, Henri. The Production of Space. Donald Nicholson-Smith.